{"id":127,"date":"2013-12-09T01:02:55","date_gmt":"2013-12-09T00:02:55","guid":{"rendered":"http:\/\/blog.radiofabrik.at\/brokenerror\/?p=127"},"modified":"2013-12-09T01:06:48","modified_gmt":"2013-12-09T00:06:48","slug":"broken-error-006","status":"publish","type":"post","link":"https:\/\/blog.radiofabrik.at\/brokenerror\/2013\/12\/09\/broken-error-006\/","title":{"rendered":"Broken Error # 006: Who the Glitch is Uwe Schmidt?"},"content":{"rendered":"

\"\"<\/a>On Sunday, December the 22th. 2013, 6 pm\u00a0(Central European Time, UTC+01:00).<\/strong><\/p>\n

In this Special we examine the work of German electronic musician Uwe Schmidt<\/b> who is better known under his aliases Atom\u2122<\/b>, Atom Heart, <\/b>Lassigue Bendthaus<\/strong> and Se\u00f1or Coconut<\/b>. He worked indeed under many pseudonyms, monikers and „working titles“, in different constellations (with international artists like Bill Laswell<\/strong>, Tetsu Inoue <\/strong>or Burnt Friedman<\/strong>) and genre-mixtures (like Electrolatino or Aciton music). Schmidt had some influences to the German electronic scene since the 1980s and travelled all over the world before he decided to live and work in Santiago de Chile. He’s also one of the most often mentioned popular artists of Glitch music from Germany, beside Oval<\/strong> or Pole<\/strong>.<\/p>\n

Historical Bonustracks:<\/strong><\/p>\n

Kraftwerk<\/b> are a German electronic music band formed by Ralf H\u00fctter and Florian Schneider in 1970 in D\u00fcsseldorf. The signature Kraftwerk sound combines driving, repetitive rhythms with catchy melodies, mainly following a Western Classical style of harmony, with a minimalistic and strictly electronic instrumentation. The group’s simplified lyrics are at times sung through a vocoder or generated by computer-speech software. Kraftwerk were one of the first groups to popularize electronic music and are considered pioneers in the field.<\/p>\n

Christian Marclay<\/b> (born 11 January 1955) is a Swiss and American visual artist and composer. Marclay’s work explores connections between sound, noise, photography, video, and film. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Marclay is, in the words of critic Thom Jurek, perhaps the „unwitting inventor of turntablism.“ His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop’s use of the instrument.<\/p>\n

\n

Tracklist<\/strong><\/h1>\n
\n

Flanger* <\/strong>–\u00a0 Music To Begin With
\nMidisport <\/strong>– Midisport (Fairness)
\nErik Satin<\/strong> – I Know How Music Sounds
\nLos Samplers<\/strong> – La Vida Es Ilena de cables
\nSe<\/strong>\u00f1<\/b>or Coconut <\/strong>– The Madmen
\nDropshadow Disease <\/strong>– Fototienda
\nNaturalist<\/strong> – Untitled (# 10)
\nAtom\u2122<\/strong> – Strom
\nLassigue Bendthaus<\/strong> – The Future (Spiritual Surface Noise)
\nGeeez ‚N‘ Gosh<\/strong> – Calling Jesus
\nBill Laswell<\/strong> – Digital Cut-up (Atom Heart Remix)
\nKraftwerk<\/strong> – Tour De France (1983)
\nChristian Marclay<\/strong> – Live on Night Music (1989)<\/p>\n

* with Burnt Friedman<\/strong><\/p>\n

\n

Compiled and produced by Peter Wetzelsberger. Image by basic_sounds<\/span><\/a> <\/span>(Creative Commons)<\/span>. All rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

On Sunday, December the 22th. 2013, 6 pm\u00a0(Central European Time, UTC+01:00). In this Special we examine the work of German electronic musician Uwe Schmidt who is better known under his aliases Atom\u2122, Atom Heart, Lassigue Bendthaus and Se\u00f1or Coconut. He … Weiterlesen →<\/span><\/a><\/p>\n","protected":false},"author":221,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-127","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/posts\/127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/users\/221"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/comments?post=127"}],"version-history":[{"count":3,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/posts\/127\/revisions"}],"predecessor-version":[{"id":131,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/posts\/127\/revisions\/131"}],"wp:attachment":[{"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/media?parent=127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/categories?post=127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/tags?post=127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}