{"id":97,"date":"2013-10-18T20:34:28","date_gmt":"2013-10-18T19:34:28","guid":{"rendered":"http:\/\/blog.radiofabrik.at\/brokenerror\/?p=97"},"modified":"2014-04-24T16:53:03","modified_gmt":"2014-04-24T15:53:03","slug":"broken-error-004-click-in-japan","status":"publish","type":"post","link":"https:\/\/blog.radiofabrik.at\/brokenerror\/2013\/10\/18\/broken-error-004-click-in-japan\/","title":{"rendered":"Broken Error # 004: Click in Japan"},"content":{"rendered":"

\"Japan\"<\/a>On Sunday, October the 27th. 2013, 6 pm\u00a0(Central European Time, UTC+01:00).<\/strong><\/p>\n

\u3053\u3093\u306b\u3061\u306f<\/strong> – Japanese artists or artists from Japan were our focus for this month’s Broken Error. <\/strong>We investigate their special approach in Glitch music which sometimes can be very sweet, joyful and a little childish, but also very seriously, calculated and experimental.<\/p>\n

In every Broken Error<\/strong> – except when guest artists did the playlist, like Dafake Panda<\/strong> did last time – we present a piece from the history of electronic and experimental music at the end of the show. So also this time! But it went a little harder, because I can’t speak Japanese and there was not much material to get that easy…<\/p>\n

T\u014dru Takemitsu<\/a><\/strong>\u00a0(jap. \u6b66\u6e80 \u5fb9, October 8, 1930 \u2013 February 20, 1996) was a Japanese composer and writer on aesthetics and music theory. <\/span>He conceived the idea of electronic music technology in 1948, or in his own words, to „bring noise into tempered musical tones inside a busy small tube.“ During the 1950s, Takemitsu had learned that in the same year French engineer Pierre Schaeffer<\/a> invented the methods of musique concr\u00e8te<\/i> based on the same idea as himself – He was pleased with this coincidence. 1951, Takemitsu was a founding member of the anti-academic Jikken K\u014db\u014d<\/span><\/i> (\u5b9f\u9a13\u5de5\u623f<\/span> „experimental workshop“<\/i>)<\/span>\u00a0 an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition.<\/p>\n

\n

Tracklist<\/strong><\/h2>\n
\n

Miyauchi Yuri<\/strong> – Toaf
\nShuta Hasunuma<\/strong> – Soul Soci
\nAoki Takamasa & Tujiko Noriko<\/strong> – 26th Floor
\nJunichi Akagawa<\/strong> – Flus
\nN-qia<\/strong> – Fearless
\nKyoka<\/strong> – 23 iSH
\nEvala<\/strong> – Shift
\nRyoji Ikeda<\/strong> – DataMicrohelix
\nGeskia!<\/strong> – Right Lights
\nDaisuke Tanabe<\/strong> – Ghost
\nNotuv<\/strong> – Runnninng in the rain
\nAmetsub<\/strong> – Solitude
\nSJQ<\/strong> – Pico
\nToru Takemitsu<\/strong> – Sky, Horse and Death (Excerpt, 1967)<\/p>\n

\n

Compiled and produced by Peter Wetzelsberger. Image by Miyaoka Hitchcock<\/a>.
\nAll rights reserved.<\/p>\n","protected":false},"excerpt":{"rendered":"

On Sunday, October the 27th. 2013, 6 pm\u00a0(Central European Time, UTC+01:00). \u3053\u3093\u306b\u3061\u306f – Japanese artists or artists from Japan were our focus for this month’s Broken Error. We investigate their special approach in Glitch music which sometimes can be very … Weiterlesen →<\/span><\/a><\/p>\n","protected":false},"author":221,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-97","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/posts\/97","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/users\/221"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/comments?post=97"}],"version-history":[{"count":11,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/posts\/97\/revisions"}],"predecessor-version":[{"id":102,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/posts\/97\/revisions\/102"}],"wp:attachment":[{"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/media?parent=97"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/categories?post=97"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/brokenerror\/wp-json\/wp\/v2\/tags?post=97"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}