{"id":468,"date":"2014-10-01T13:15:27","date_gmt":"2014-10-01T13:15:27","guid":{"rendered":"http:\/\/blog.radiofabrik.at\/stimmen\/?p=468"},"modified":"2014-10-08T14:37:04","modified_gmt":"2014-10-08T14:37:04","slug":"01","status":"publish","type":"post","link":"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/10\/01\/01\/","title":{"rendered":"&#8220;\u00dcber dem Krieg darf ich nicht mehr schreiben&#8230;&#8221;"},"content":{"rendered":"\n<!-- iframe plugin v.6.0 wordpress.org\/plugins\/iframe\/ -->\n<iframe loading=\"lazy\" src=\"http:\/\/cba.fro.at\/270150\/embed?&#038;socialmedia=true&#038;title=false&#038;subscribe=true&#038;series_link=true\" width=\"100%\" height=\"250\" style=\"border:none; width:100%; height:250;\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\"><\/iframe>\n\n<p>&nbsp;<\/p>\n<p>In Stimmen aus den Sch\u00fctzengr\u00e4ben #14 we introduce a very important theme: <strong>postal censorship<\/strong>. Huge and costly efforts were made by the belligerents to keep the morale high, both on the frontline and in the homeland (see episode <a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/07\/23\/wenn-ich-stellung-bin-schickt-bitte-noch-etwas-zucker-lichter-tabletten\/\">#4<\/a>). Mail was one of the <strong>few comforts<\/strong> a soldier could have on the frontline, and often the most cherished. Letters, however, could also convey <strong>classified information<\/strong> or undermine the moral on the homefront. For that reason, post censorship occurred in many of the countries involved in the war.<\/p>\n<p>The first document of this week is an original interview with<strong> Captain Howard B. Ward<\/strong> (see episode <a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/07\/09\/just-see-top-tower-sticking-ground\/\">#2<\/a>), recorded in 1982. In the selected passage, Howard explains how the letters written by British soldiers on the Western Front were <strong>censored<\/strong>. Every letter had to be <strong>checked by an officer<\/strong> to ensure it didn&#8217;t contain classified information, such as the position of the soldier. After reading the letter, the officer would <strong>seal it and sign the envelope<\/strong>. Only officers were granted a special priviledge: their letters were sent to a post office behind the lines, where only a small number was randomly opened and checked. The officers had to <strong>give their word<\/strong> that their letters didn&#8217;t contain any classified information, and if they were found guilty they would be court-martialled.<br \/>\nThe full interview is available at: <a href=\"www.europeana.eu\/portal\/record\/2020601\/attachments_66347_4980_66347_original_66347_mp3.html\">www.europeana.eu\/portal\/record\/2020601\/attachments_66347_4980_66347_original_66347_mp3.html<\/a><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_477\" aria-describedby=\"caption-attachment-477\" style=\"width: 327px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/image006.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-477 size-full\" src=\"https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/image006.jpg\" alt=\"Censored Italian letter (www.liceograsso.it)\" width=\"327\" height=\"502\" srcset=\"https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/image006.jpg 327w, https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/image006-195x300.jpg 195w\" sizes=\"auto, (max-width: 327px) 100vw, 327px\" \/><\/a><figcaption id=\"caption-attachment-477\" class=\"wp-caption-text\">Censored Italian letter (www.liceograssi.it)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>The second document of the week is a short letter from German soldier <strong>Johann G\u00f6rtemaker<\/strong> (see episodes <a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/07\/29\/204\/\">#5<\/a>, <a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/09\/17\/je-vous-dirai-que-malgre-mon-masque-jen-avais-trop-respire\/\">#12<\/a> and <a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/09\/25\/ho-parlato-lungo-col-pilota-austriaco-stringendogli-la-mano\/\">#13<\/a>), dated 4th of May 1917. He doesn&#8217;t explicitly mention the censorship but writes: \u201eI am not allowed to write about the war anymore\u201c. <strong>Soldiers were well aware<\/strong> of postal censorship, and most of the time they would write very simple letters to make sure they would reach the families. Censorship, however was <strong>not always effective<\/strong> at discouraging the soldiers or destroying confidential information. Many letters managed to <strong>slip through the net<\/strong>, and they are today a vivid testimony of those tragic times.<br \/>\nG\u00f6rtemaker correspondence is available at: <a href=\"http:\/\/www.europeana1914-1918.eu\/de\/contributions\/462\">http:\/\/www.europeana1914-1918.eu\/de\/contributions\/462<\/a><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_478\" aria-describedby=\"caption-attachment-478\" style=\"width: 2610px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/14269595.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-478\" src=\"https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/14269595.jpg\" alt=\"Notice of the Austro-Hungarian Military Censorship (\u00d6sterreichische Nationalbibliotek)\" width=\"2610\" height=\"1887\" srcset=\"https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/14269595.jpg 2610w, https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/14269595-300x216.jpg 300w, https:\/\/blog.radiofabrik.at\/stimmen\/files\/2014\/09\/14269595-1024x740.jpg 1024w\" sizes=\"auto, (max-width: 2610px) 100vw, 2610px\" \/><\/a><figcaption id=\"caption-attachment-478\" class=\"wp-caption-text\">Announcement\u00a0 of the Austro-Hungarian Military Censorship (\u00d6sterreichische Nationalbibliotek)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>The third document of this week is a passage of a letter written by French soldier <strong>Henri Bouvard<\/strong> on the 3rd of December 1917. He urges his wife not to write about war in her letters, to make sure they reach him. The censorship examined <strong>both incoming and outgoing mail<\/strong>. In the best-case scenario, the unauthorised parts were covered with <strong>black or purple ink<\/strong>. Often, however, the whole <strong>letter was destroyed<\/strong>.<br \/>\nThe rules were very strict, and applied not only to military information but also on feelings and impressions of the war. In many cases censorship rejected passages in which soldiers related the horrors of war, because they would endanger the propaganda. The <strong>morale of the civilians<\/strong> was as important as the morale of the troops, for several reasons. Civilians not only <strong>encouraged<\/strong> and their relatives and friends on the frontline, but also supported the state economy subscribing to <strong>war bonds<\/strong>. This could only be possible if they believed in a quick victory.<\/p>\n<p>Henri Bouvard&#8217;s letter is reproduced in \u201e<strong>Paroles de poilus : lettres et carnets du front 1914 <\/strong><strong>-1918<\/strong>\u201c by J.P. Gu\u00e9no, page 92.<\/p>\n<p>The last document of this week is a passage from Attilio Frescura&#8217;s \u201eDiario di un imboscato\u201c(see episodes\u00a0<a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/07\/09\/just-see-top-tower-sticking-ground\/\">#2<\/a> and <a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/07\/16\/cetait-le-fameux-richthofen-un-de-laviation-allemande\/\">#3<\/a> ). In may 1917 he was assigned for a few day to censorship duty. In the letters he found many funny mistakes and weird expressions which he copied in his journal. He also witnessed all the vile practices of human soul, and could unmask through the lines the lies and infidelity of wives and husbands. Frescura&#8217;s war journal is available at: <a href=\"teca.bncf.firenze.sbn.it\/ImageViewer\/servlet\/ImageViewer?idr=BNCF00004006672#page\/75\/mode\/1up\">teca.bncf.firenze.sbn.it\/ImageViewer\/servlet\/ImageViewer?idr=BNCF00004006672#page\/75\/mode\/1up<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>-Credits-<\/strong><\/p>\n<p>Editing:\u00a0Larissa Sch\u00fctz , Matteo Coletta.<br \/>\nCommentary: Romana St\u00fccklschweiger<\/p>\n<p>Voices in this episode: Hannes Hochwasser als Johann G\u00f6rtemaker, Matteo Coletta as Attilio Frescura, Howard B. Ward as himself.<\/p>\n<p><strong>Jingle:<\/strong><\/p>\n<p>Music: Gregoire Lourme, \u201c<a href=\"http:\/\/www.jamendo.com\/de\/track\/1063185\/fire-arrows-and-shields\">Fire arrows and shields<\/a>\u201d<br \/>\nConcept: Matteo Coletta<br \/>\nVoices: Hanes Hochwasser, Matteo Coletta, Roman Reischl, L.J. Ounsworth, Norbert K. Hund.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; In Stimmen aus den Sch\u00fctzengr\u00e4ben #14 we introduce a very important theme: postal censorship. Huge and costly efforts were made by the belligerents to keep the morale high, both on the frontline and in the homeland (see episode #4). Mail was one of the few comforts a soldier could have on the frontline, and &hellip; <a href=\"https:\/\/blog.radiofabrik.at\/stimmen\/2014\/10\/01\/01\/\" class=\"more-link\"><span class=\"screen-reader-text\">&#8220;\u00dcber dem Krieg darf ich nicht mehr schreiben&#8230;&#8221;<\/span> weiterlesen <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":676,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-468","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s4UhV1-01","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/posts\/468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/users\/676"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/comments?post=468"}],"version-history":[{"count":7,"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/posts\/468\/revisions"}],"predecessor-version":[{"id":499,"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/posts\/468\/revisions\/499"}],"wp:attachment":[{"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/media?parent=468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/categories?post=468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.radiofabrik.at\/stimmen\/wp-json\/wp\/v2\/tags?post=468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}