„J’ai traversé le nuage et aussitôt j’ai eu des picotements dans la gorge, le nez, les yeux…“

The countries who took part in the Hague Conventions of 1899 and 1907 accepted to refrain from using „projectiles the sole object of which is the diffusion of asphyxiating or deleterious gases“. These Conventions, however, have been widely ignored and the use of gases in WWI has been recorded as early as 1914.

Chemical warfare was started by France in August 1914, when tear gas grenades (xylyl bromide) were used to slow down the German army advancing through Belgium. Poisonous gas however didn’t appear on the battlefield before April 1915, during the second battle of Ypres, when the German army sent a chlorine cloud against French lines.

Overall, about 124.000 tons of chemical agents have been used during WWI., both lethal and non-lethal. The casualties amount to over 1 million injured and 90.000 dead. Whereas the huge gap between the number of soldiers exposed to gases and the actual amount of fatalities allows to question the effectivenes of such weapon, its brutality is undeniable.

 

Vickers machine gun crew wearing gas mask (Wikipedia)
British soldiers wearing gas masks (Wikipedia)

 

The first „guest“ of this episode is Johann Görtemaker, German soldier. In a letter from 26th August 1917 he relates a special tactic used by the enemy in Flanders. The British combined poisonous gas clouds with harmless smoke screens in order to cover their movements and disorient the German army. Listen:

More information on Johannes  Görtemaker is available at http://www.europeana1914-1918.eu/de/contributions/462, togehter with a transcription of his letters.

The second „guest“ is Maurice Leclerc, a French soldier who was exposed to  irritating gas in June 1916. On the next day he wrote on the accident in a letter to his family. The gas shell fell 20 meters in front of him, and Leclerc couldn’t avoid the cloud. His eyes and lungs were affected for a few hours but he was able to recover quickly. Listen:

A scan of his letter is available at:  http://www.europeana1914-1918.eu/de/contributions/7384/attachments/78089?layout=0

 

leclerc
First page of Maurice Leclerc’s letter. Source: Europeana

 

The third account on chemical warfare comes from a British veteran, Arthur „Slim“ Simpson. In an interview recorded in 1981 he recalls being exposed to irritating gas and suffering a few days from the effects. Listen:

The full interview is available at: http://www.europeana1914-1918.eu/en/contributions/5648.

The last document is a letter from Guido Sampaolo (see episodes #1 and #4), dated 8h July 1915. He denounces a broad usage of poisonous gas from the Austrian army, as well as the lack of gas masks among Italian troops (he claims that in his sector only 2 masks every 15 men were available). Sampaolo also writes that the gas masks were not always effective, and could not ensure full protection for the soldiers. Moreover, they also had to suffer the awful smell of corpses: the enemy was occupying a ventilated high ground and didn’t allow the dead to be buried. Listen:

-Credits-

Editing: Eva Schmidhuber, Matteo Coletta

Voices in this episode: Hannes Hochwasser als Johannes Görtemaker, Matteo Coletta as Maurice Leclerc and Guido Sampaolo,  Arthur Simpson as himself.

Jingle:

Music: Gregoire Lourme, “Fire arrows and shields
Concept: Matteo Coletta
Voices: Hannes Hochwasser, Matteo Coletta, Roman Reischl, L.J. Ounsworth, Norbert K. Hund.

„Wenn ich in Stellung bin, schickt bitte noch etwas. Zucker, Lichter, Tabletten…“

During WWI, 10 billions letters were exchanged between the soldiers and their families. Several millions a day. For comparison, the amount of shells shot in 51 months of war is estimated in about 1 billion. However, the military mail didn’t only deliver letters and postcards: supplies were very scarce on the frontline, and soldiers had to ask their families for help. Therefore, millions of parcels were sent every week, each one containing food and/or warm clothes, underwear, cigarettes, etc.

The episode of this week is entirely dedicated to military mail and relief packages. Despite being written on three different fronts (Eastern, North-Italian, Western), the texts we have selected are all depicting a very similar situation.

Digital StillCamera
Philipp Schopp
Fritz Niebergall
Fritz Niebergall

 

 

 

 

 

 

 

 

Our first „guest“ is the German soldier Philipp Schopp.  Deployed on the eastern front, he fought in Galicia for about one year. When he died in June 1916 he wasn’t yet 21.

The second letter was written in summer 1915 by Guido Sampaolo, an Italian soldier who managed to survive the war and later raised a prosperous family.

The last letter was written on the Western front by Fritz Niebergall, a German soldier who died in France in 1918, aged 24. (see also episode #1)

 

-Credits-

Editing: David Leberbauer, Matteo Coletta

Voices in this episode: Norbert K. Hund as Philipp Schopp, Matteo Coletta as Guido Sampaolo,  Hannes Hochwasser as Fritz Niebergall.

Photos: Europeana

Jingle:

Music: Gregoire Lourme, “Fire arrows and shields
Concept: Matteo Coletta
Voices: Hannes Hochwasser, Matteo Coletta, Roman Reischl, L.J. Ounsworth, Norbert K. Hund.

„C’était le fameux Richthofen, un as de l’aviation allemande…“

During WWI many new weapons and techniques were developed: not only better rifles and bigger cannons, but also technological breakthroughs that would change the modern warfare forever, like tanks and aircrafts.

It must be said, for sake of completeness, that the use of flying devices for scouting and bombing was not unknown at the time: France started using balloons for observation as early as in the 18th century. Moreover, the first attempt of an aerial attack took place on July 2, 1849, when Austrian balloons loaded with incendiary bombs tried to set Venice on fire. The endeavour didn’t succeed because of strong winds, but it is commonly mentioned as a milestone.

The first self-powered and manned plane was successfully tested by the Wright brothers on December 17, 1903.  The flight only lasted 12 seconds (36 meters), but eight years later the Italian army could already pioneer the military use of aircrafts during the Italo-Turkish war. By the end of WWI, all of the main countries involved had developed their own air force.

 

Lt. Émile Dupond (source: Europeana)

The first „guest“ of this episode is the French veteran Émile Dupond, former lieutenant of the 45th company of tethered balloons, who shares some war memories in a tape from 1971. In the selected passage he recalls three interesting episodes:

First: a Navy officer (probably Constant Duclos) goes to every company to demonstrate the use of a parachute. To do so, he would jump out of the balloon from a height of 1500 meters (4900 ft). Parachutes were still experimental at the time and soldiers didn’t put any trust in it.

Second: a German aircraft once split the balloon in half with the fire of its machinegun. The crew managed to escape thanks to the parachute and landed behind the French lines unharmed .

Third: the German ace Manfred von Richthofen once set the balloon on fire.

The recording has been cut, cleaned and edited to improve the sound. The full tape in its original quality is available at: http://www.europeana.eu/portal/record/2020601/attachments_120906_10243_120906_original_120906_mp3.html?

 

George Michael Lill (source: Europeana)
George Michael Lill (source: Europeana)

The second „guest“ is Michael George Lill, a German soldier who fought on the Western front near the border between France and Belgium from 1914 to 1916. He survived the war but three members of his family were killed in action. The journal entry we chose is from 14th March 1916. At the time, Lill’s unit was deployed at Carvin-Épinoy, where it was hit by an aerial bombing.

A transcription of Lill’s journal is available at: https://europeana1914-1918.s3.amazonaws.com/attachments/19662/624.19662.original.pdf?1310402732

 

the third contribution is also dated March 1916. In a journal entry, the Italian officer Attilio Frescura relates the comical attempt of a colonel to camuflage Italian batteries under sheaves of straw. But as Frescura sarcastically points out, straw doesn’t grow on the mountains, and the solution gives away the position of Italian guns instead of concealing them.

Frescura’s journal has been published and is available at: teca.bncf.firenze.sbn.it/ImageViewer/servlet/ImageViewer?idr=BNCF00004006672#page/75/mode/1up

The last testimony comes from British veteran Leonard J. Ounsworth. In a passage of a longer interview (available at: ) he recalls how dogfights used to take place in the evening, just above the trenches. He has a clear memory of a German plane loosing both wings, catching fire and crashing like a blazing torch behind English lines.

The full interview is available at: http://www.oucs.ox.ac.uk/ww1lit/gwa/document/9404?REC=4.

 

-Credits-

Editing: Eva Schmidhuber, Matteo Coletta

Voices in this episode: Émile Dupond as himself, Norbert K. Hund as George M. Lill, Matteo Coletta as Attilio Frescura,  L.J. Ounsworth as himself.

Jingle:

Music: Gregoire Lourme, “Fire arrows and shields
Concept: Matteo Coletta
Voices: Hans-Peter Reuber, Matteo Coletta, Roman Reischl, L.J. Ounsworth, Norbert K. Hund.

 

„You could just see the top of the tower sticking out of the ground…“

Asiago is a small alpine town (1001 m elevation) with a population of less than 7.000 inhabitants. It is the main settlement on the Sette Comuni upland, also called Asiago upland. In 1916 it had more or less the same size of today. On the 15th of May the city was stroken by heavy artillery fire: on that very day the Austro-Hungarians started what would later be known as „Trentino offensive„. The italian officer Attilio Frescura was an eye witness of the destruction of Asiago. He reports that an enemy airplane started scouting and signaling from 5:00 a.m., and at 7:00 the first shot hit the city. Frescura also saw women and children among the casualties.

The Trentino offensive, known in Italy as „Strafexpedition“, was ordered by general Franz Conrad von Hötzendorf. He thus hoped to reach Venice and outflank the Italian divisions fighting on the Isonzo, forcing Italy to surrender. On the 4th of June a violent Russian offensive on the eastern front forced the Austro-Hungarian high command to withdraw troops from Italy in order to send reinforcements in Galicia. The offensive could no longer be sustained.

The war journal of Attilio Frescura has been published under the ironical title: „Diario di un imboscato“ (journal of a draft dodger). It is available in PDF format at http://teca.bncf.firenze.sbn.it/ImageViewer/servlet/ImageViewer?idr=BNCF00004006672#page/14/mode/1up

 

Ieper_WWI_devestation
Ypres in 1919 (source: Wikipedia)

 

 

 

 

 

 

 

British captain Howard B. Ward served in northern France and Belgium. In 1982 he was recorded while sharing war memories in a classroom. In the selected fragment (set in 1917) he recalls the devastation of Ypres, a Belgian town stuck between the Brtitish and the German lines. According to him the ruins grew layer after layer, almost reaching the level of the bell tower: „You could just see the top of the tower sticking out of the ground“. The statements of Howard Ward might be exagerated (see the picture), but the Ypres salient stood in a key position and was the center of bitter fightings from the beginning to the end of the war. The full tape is available at: http://www.europeana.eu/portal/record/2020601/attachments_66347_4980_66347_original_66347_mp3.html?

 

Walter Flex was a German soldier on the Western front, his unit was deployed in north-eastern France. While fighting in the village of Seuzey he withnessed a fire that destroyed the village church. In a letter to his parents dated 4. Februar 1915 he makes a dreadful account of the events, and lingers more than once on the image of the holy ruin. His letter, together with many others, is available at: https://www.thueringen.de/imperia/md/content/lzt/quellen_feldpost_32.pdf

 

 

-Credits-

Editing: Eva Schmidhuber, Matteo Coletta

Voices in this episode: Matteo Coletta as Attilio Frescura, Howard B. Ward as himself, Norbert K. Hund as Walter Flex. A special thank you goes to Norbert, who found the letter of Walter Flex.

Jingle:

Music: Gregoire Lourme, “Fire arrows and shields
Concept: Matteo Coletta
Voices: Hannes Hochwasser, Matteo Coletta, Roman Reischl, L.J. Ounsworth, Norbert K. Hund.