TIV (Fernsehsender, 1996 – 2001)

Private Television Station in Vienna

TIV (also „T.I.V. – True Image Vision“ or „TIV – Der sexy Sender“) was a commercial TV-Station in Vienna, Austria (1996 – end of 2001).
It was among the first private TV stations in Austria following the 1995 liberalisation of cable broadcasting, which allowed non-public operators to transmit via cable networks alongside ORF.

Wikipedia: More @ Wikipedia (German) about T.I.V. Weiterlesen

RADIOTIC – SONOPANIC II – Die Wiener Piratenradios 1991 – 93 (Video)

Realisiert von: Oliver Prenn, Hans Weingartner, E (Anm: Edgar) Zwischenbrugger
Photos: Regine Wieser
Finanzielle Unterstützung: HTU Wien
Schnitt: Hochschule für Angewandte Kunst (Anm: Videostudio Kowanz)
Dank an: Allen Mitwirkenden, Fatih Aydogdu, Mag. Klein, Tommi, G. Bielz, Spezieller Dank an Alf (Anm:. Altendorf, für Koordination der Produktion auf der Angewandten und Support ÖH Medienreferat Angewandte )
Wien, 1993
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R.A.M.S „Tod dem Fernsehen“ (CDROM / Video, 1993 – 94)

R.A.M.S. CDROM / Video dealing with the fundamentals of the American Public-Access-Movement compared to Austria.

This quite ancient work (1994) was based on a research travel to the U.S., which Margarete Jahrmann and me did in 1993 participating an art project by Museum In Progress (Reise zu den Quellen).

In 1994 Max Moswitzer joined the team, and together we finalized a „music-techno-clip style“ Video and a CDROM.

Some of the video parts took weeks to render on machines of this time – it was a hot summer, we cooled our feet and same our computers – so this project is an example how to use public available technology to the edge.

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R.A.M.S. ATTACK – Automatic Radio (ARS 1993)

Ein Radiostück mit mysteriösen „Sendestörungen“ (17. 6. 1993), by R.A.M.S.


Konzept und Planung: Alf Altendorf, Margarete Jahrmann und Thomas Madersbacher
Programmierung: Bernhard Loibner
Musikkonzept: Christoph Cargnelli, Peter Szely
Bau: Peter Sandbichler
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K4 – Vienna City Radio (1993 -1994)

Concept K4 – Vienna City Radio (Stadtradio Wien) 1993 – 94

European national landscapes have a significant gap between public and private interests, mirroring the state of democratisation and democratic conciousness in societies. Leading countries as The Netherlands are in sharp contrast to the Austrian incredible media concentration combined with the lack of any access.

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